Yes I am a NERD...and proud of it!

The term "nerd" is used freely nowadays, but I remember when being a nerd was a not only a lifestyle but a status, if you were a nerd then you wouldn't meet "chicks" and will live a lonely life. Probably you will work on some computer business type of work and you will make lots of money, but still you would meet "chicks". And I am an old school nerd, since I was little I was obsessed with video games. It started when my parents got me and my brother an Atari 2600, since then I was hooked. I still played outside, and we still rode our bikes once in a while, but with the arrival of the NES at my house those stuff got shoved under the "this stuff takes away from my gaming time" rug. So obviously I got a GameBoy. Yes the old white huge brick, and a clear one. And those shades of green was the best thing since sliced bread. I could play games on the go. Then came the Sega Genesis, and the SNES. Me and my brother had both. We still played outside and rode our bikes, but we had to make up time for that.

Then Sony comes out with this thing called a "Play Station?", worst name ever. But still we got it, well my brother did. My cousin got the Sega Saturn but that system didn't pan out that well. But then I got the N64 and Goldeneye, and that was college life awesomeness. Every year I would get hooked more and more on video games, and the love for graphic design. This lead to my love for photography anyways. Then came the PS2, the Sega Dreamcast and the Gamecube. And those where the days. Never got into the Xbox bandwagon because I thought that Microsoft was going to drop the ball on that one. But as it turned out it wasn't that bad so they came up with the new version, the Xbox360. And achievements, and now I am still hooked on games, even more so now that I can buy the games that I want without asking my parents for money.

But I had never loved a video games series more than Mario (and all the different iterations of that franchise) until I put it this new game called Gears of War on my brand new Xbox360. It was love at first chainsaw kill. I got so hooked in that game that I finished it in 2 days. And then came back for more and more. So then I read somewhere that they were coming out with novels inspired on Gears of War, novels that would expand the story and the universe, and I had to have them. I read every page of those books like a fat kid goes trough a cupcake (I am fat so its okay for me to use the "F" word). I devoured them, and then they came out with Gears of War 2. Better graphics, more story, and awesomeness all around. I was in heaven. A few books came out that expanded the story even more. And of course I got them and read them. And all of that lead to this day, September 20, 2011, a day that will always live on forever as "The Day Gears of War 3 came out".

I had preordered the game, but the store had me for the regular edition. But since I had the Limited editions to both previous games it wouldn't be right to just buy the regular one, so Thank The Stars I found one. I of course bought it without hesitation. And here it is, the unboxing of the best Gears of War Limited Edition box (yes, I did a photo shoot on a video game box). Hope you enjoy these.

Complete box, front and back respectively.

Without the jacket (left), it splits open (right). That is the video game disc right there.

You pull the top part and you have the Octus Medal granted to Adam Fenix for his work on the Hammer of Dawn (left), You pull out the disc box and under it is a C.O.G. Flag (right)

Cog flag unfolded (left).
Inside of the flag there was all this stuff. Adam Fenix last will, schematics for the Hammer of Dawn, two pictures (he looks like Marcus on the bottom one), a letter he wrote to Marcus when he was younger, and the Octus Medal "diploma".

Again, Yes I did a photo shoot on a video game box. Some people have cars, others have motorcycles. I have photography, bicycles, and video games. Yes I am a nerd, and even thought I cant play the game yet (because I have a photo shoot in about 1 hour from posting this, and if I put it in the console I wont be able to go), I cant wait to do so. Brothers until the end, because we are all stranded now. See you in the battle field, I'll bring my Lancer Rifle. I told you I was a nerd.



...it really does make perfect.

Was is the key to getting better in photography? It is not reading books, it is not buying new equipment, it is not going to all the seminars they have to offer, and it is not watching all the YouTube videos out there. Yes, this can help in the quest to getting better, but the actual KEY to getting better in photography is practice. If you don't practice what you read in those books then what was the point in reading them? If you don't practice with that new equipment you just bought then what was the point in wasting your money on it? If you don't practice what you learned on that awesome seminar you just attended, then what was the point of going? If you don't practice what you see in YouTube video tutorials, then what was the point of wasting the bandwidth on it?

You have to practice as much as you can, you have to go out and take pictures that you don't think you could ever get, and then keep on trying until you get what you wanted in the first place. Conceptualize the shoot before it happens. And there are a lot of ways you can practice for any kind of photography. I will give you an example on how I "practice" for children photography, and you will not guess what it is...I'll give you a minute to think and guess. Ready? I go to the zoo. Did you guessed right or wrong?

You might ask "The zoo?", but here is why. I go to the zoo because the animals at the zoo don't care if you have a camera in your hands. They don't care if you have the settings right before you take the shoot. they don't even care what they are doing at the moment. And kids are like that, you go into their world, not the other way around. Just because you have a camera the kids won't behave if they don't do so normally. And just because you tell them smile, they do it if they want, not because you told them too. They move around a lot, and you have to kind of travel into the future even if for just a second to have the shot you were looking for before it happens. Again, go to a zoo and you'll learn a lot of how to shoot kids.

Another thing that I do is that I practice with my equipment what I read from a book, or what I saw in an image, or what I heard in a seminar, or a YouTube video. The more you practice, the more it becomes ingrained into your skull, I've been saying to myself "Head in a clean spot, Head in a clean spot!" for a long time, but now I don't have to do it because I KNOW. It is just like driving, remember that first time you got into the driving side of that first car? You slammed the brakes every two seconds. But after a while, and with practice, you can drive your car and not even think what you are doing, but you are just doing it.
It is easy to press the shutter and take 1000 images and then just delete the ones you didn't like. But it is better to just have that image in your head, set everything up and after a few clicks you have it, your done, on to the next one. Practice every time you want to try something new. You don't have a model? Make one up. I have used soda cans, spray bottles, I even used my bike helmet to see how would a mask would look like in a shot. In this following shot I was testing the octabox that I just got, so I used this little bottle to test it out, and then I took just this one shot of myself afterwards. After that I have done countless light tests with the octabox, so I can make "smart" and "educated" decisions instead of "wing in it" and "praying that there is a least a good image" at the time of an actual shoot with a client.

The key to get better in photography is to practice as much as you can. you can fix things in post process but why would you spend more time in front of a computer when you can take better images on the shoot and do less work in post processing. Practice makes perfect, so go out and practice more. You're images will thank you!

In brightest day, in blackest night

    ...no image shall escape my sight. That is how I feel about photography. Like a superhero. We photographers use light to make our images, that is the basic principle of photography. But how you manipulate that light is the actual "superpower". It doesn't matter what kind of lighting you have, if it day or if it is night, fully bright or pitch black, you can always take the images you want. Some photographers work with natural light only, others with controlled "studio" lighting, others mix and match both. Maybe an off camera flash used as fill light to better expose the sky in the background. Maybe gel the light with different colors to make the images more dramatic. Use a reflector, or a softbox, or a diffuser, or all the nifty gadgets that are out there. Or even having a low shutter speed or using the camera in "Bulb" mode. But at the end of the day what we did was control light.

    Photography is all about light, the same image in two different light scenarios will express and convey different emotions. For example:

Almost identical images with different lighting situations. The one on the left is kind of more "moody" and...well, dark (pun not intended). And the one on the right is more "lively", still moody but not as much as the one on the left. By the way that is me rocking my Gears of War COG tags

That is the magic of knowing how to light a subject. The light you use depends on the final "emotion" or "feeling" you want to convey in the person that is looking at your image. There are a lot of techniques out there. And a self respecting photographer should at least know how to light a subject, even on natural lighting. Just because the sun is out doesn't mean that you can't use a flash, or a reflector, or a diffuser. All these tools are here for a reason, and the more you practice with them the more you get to see the light before it is even there. Here is another example:

    It was a particularly sunny day, and this image was taken around noon. But the location, which was a bench under a tree that was surrounded by flower bushes, was casting shadows all over the place. This was because the light was coming from the sun, trough the tree leaves, and then on the subject. So basically the lighting looked like camouflage on top of the skin. So how did we finish with this image? Well we used two reflectors on each side at 45 degree angles, the one on the left was exactly on top of the subject that way we made our own shade. And then we added an off camera flash to have the light streak you see on the top left corner. The image turned out exactly as I envisioned it in my mind.

    Now take this two self portraits for example:

    We can stop motion with a flash. Once you know what you want you'll start knowing how to set the lights, and how each light is going to light the scene. In this images I only had a flash right behind me, because I knew that once that flash fired the water in my hand would be like a giant mirror reflecting that light all around. The hardest part of this shot was keeping my eyes open.

    Stuff like this makes photography fun and spontaneous, but at the same time controllable, because you don't have to feel that you missed an opportunity because the lighting changed (or will change). Instead if you control your light you have better results and less time "fiddling" (is that even a word?) with the settings on the back of the camera and concentrating more on the client. So my advice is: "Be a superhero and control your light. Your clients will love you even more"